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  1. Fontfabric (Typeface Designer Company)
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  5. Noah Font Family
Noah Complete Family
Noah 18 FONTS
Noah Thin
Noah Thin Italic
Noah Ultra Light
Noah Ultra Light Italic
Noah Light
Noah Light Italic
Noah Regular
Noah Regular Italic
Noah Medium
Noah Medium Italic
Noah Bold
Noah Bold Italic
Noah Extra Bold
Noah Extra Bold Italic
Noah Heavy
Noah Heavy Italic
Noah Black
Noah Black Italic
Noah Grotesque 18 FONTS
Noah Grotesque Thin
Noah Grotesque Thin Italic
Noah Grotesque Ultra Light
Noah Grotesque Ultra Light Italic
Noah Grotesque Light
Noah Grotesque Light Italic
Noah Grotesque Regular
Noah Grotesque Regular Italic
Noah Grotesque Medium
Noah Grotesque Medium Italic
Noah Grotesque Bold
Noah Grotesque Bold Italic
Noah Grotesque Extra Bold
Noah Grotesque Extra Bold Italic
Noah Grotesque Heavy
Noah Grotesque Heavy Italic
Noah Grotesque Black
Noah Grotesque Black Italic
Noah Head 18 FONTS
Noah Head Thin
Noah Head Thin Italic
Noah Head Ultra Light
Noah Head Ultra Light Italic
Noah Head Light
Noah Head Light Italic
Noah Head Regular
Noah Head Regular Italic
Noah Head Medium
Noah Head Medium Italic
Noah Head Bold
Noah Head Bold Italic
Noah Head Extra Bold
Noah Head Extra Bold Italic
Noah Head Heavy
Noah Head Heavy Italic
Noah Head Black
Noah Head Black Italic
Noah Text 18 FONTS
Noah Text Thin
Noah Text Thin Italic
Noah Text Ultra Light
Noah Text Ultra Light Italic
Noah Text Light
Noah Text Light Italic
Noah Text Regular
Noah Text Regular Italic
Noah Text Medium
Noah Text Medium Italic
Noah Text Bold
Noah Text Bold Italic
Noah Text Extra Bold
Noah Text Extra Bold Italic
Noah Text Heavy
Noah Text Heavy Italic
Noah Text Black
Noah Text Black Italic
Simple Licensing
Desktop

For print and branding projects.

Web

For websites and online platforms.

App

For mobile applications.

Server

For web and print on demand apps.

Epub

For eBooks and ePublishing.

Digital Ads

For HTML5 based Digital Ads.

Need something else? We can offer you custom-tailored licenses according to your needs.

Broadcasting

For onscreen broadcasting.

Corporate

For wider or unlimited purposes according to your company’s needs.

Gaming

For commercial electronic games played on all interactive platforms.

Noah type system

Noah Font Family is more than just another geometric sans serif font Fontfabric… With sharp details and a distinctive arrangement, Noah Font Family further extends the limits of the x-height, providing unparalleled flexibility. The specific structure is paired with normal width proportions, moderate contrast and vertical stress – making Noah Font Family well suited for a wide range of typographic purposes.

This type family consists of 72 Noah Font Styles (4 FREE) divided into four subfamilies with different x-heights – ranging from Noah Grotesque at the bottom, through Noah and Noah Text, and extending to the highest one – Noah Head. The entire set includes styles from Thin to Black, with matching true italics.

The inclusion of terminals with a humanistic flavor and typographic letter alternates, such as the binocular “g” or the geometric “a”, offers a blend of the best aspects of both geometric and grotesque typeface classics.

Explore: Sans Serif Fonts, Display Fonts

OpenType Features

Stylistic Alternates Common Ligatures Discretionary Ligatures Contextual alternates Localised Forms Tabular Figures Diagonal Fractions Denominator Numerator Subscript Superscripts Case Sensitive Forms Ordinals
Noah

Sentences

Localizations
Pangrams
Noah Text Thin
Features

The quick brown fox jumps over a lazy dog.

Paragraphs

Localizations
Suggestions
Noah Text Thin
Features

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

Sentences

Localizations
Pangrams
Noah Head Thin
Features

The quick brown fox jumps over a lazy dog.

Paragraphs

Localizations
Suggestions
Noah Head Thin
Features

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

Sentences

Localizations
Pangrams
Noah Grotesque Thin
Features

The quick brown fox jumps over a lazy dog.

Paragraphs

Localizations
Suggestions
Noah Grotesque Thin
Features

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

Sentences

Localizations
Pangrams
Noah Thin
Features

The quick brown fox jumps over a lazy dog.

Paragraphs

Localizations
Suggestions
Noah Thin
Features

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

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    What's included

    715 font Glyphs 72 font Styles

    107 Languages

    Afrikaans (also Cape Duch, Cape Afrikaners, and West Germanic language of South Africa), Asu, Belarusian (also Lachinka), Bemba, Bena, Bulgarian, Breton, Bosnian (Cyrillic), Catalan, Chechen, Kiga (also Rukiga, Ruchiga, and Chiga), Czech, Welsh, Danish, Taita, German, Lower Sorbian, Jola (also Jola-Fonyi, and Kujamataak), Embu, English, Esperanto, Spanish, Estonian, Basque, Finnish, Filipino (also Modern Philippines), Faroese, French, Friulian, Western, West Frisian, Irish, Scottish, Gaelic, Galician, Swiss, German, Gusii, Manx Gaelic, Croatian (also Gaj’s Latin alphabet, Abeceda, and Gajica), Upper Sorbian, Hungarian, Indonesian, Icelandic, Italian, Machame (also Kimachame), Kamba, Makonde (also Kimakonde), Kabuverdianu (also Cape Verdean Creole, Kriolu, Barlavento, and Sotavento), Kikuyu, Greenlandic (also Kalaallisut), Kalenjin, Shambala (also Kishambala, (ki)Sambaa, and (ki)Shambaa), Colognian (also Kölsch), Cornish, Luxembourgish, Ganda (also Luganda), Lithuanian (also Lithuanian Lietuviu Kalba, and East Baltic language), Luo (also Lwo, and Lwoian), Luyia (also Luyia, Luhia, and Luhiya), Latvian, Meru, Mauritian Creole (also Morisyen), Malagasy, Makhuwa-Meetto, Macedonian, Maltese, North Ndebele (also isiNdebele saseNyakatho, and Zimbabwean Ndebele), Dutch, Norwegian (also Nynorsk, and Bokmål), Nkore (also Nkole, Nyankore, Nyankole, Orunyankore, Orunyankole, Runyankore, and Runyankole), Oromo (also Afaan), Polish, Portuguese, Quechua (also Runasimi), Romansh, Kirundi (also Rundi), Romanian, Rombo (also Kirombo), Russian, Ikinyarwanda (also Kinyarwanda, Rwandan, and Rwanda)



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    Credits

    Svet Simov, Radomir Tinkov, Stan Partalev

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